User Manual

The “User Manual” project takes up the exhibited and winning works of the La Plata Cinquantenary Hall (1932) and the Joven and Molina Campos Art Halls of 2018 of the Emilio Pettoruti Museum of Fine Arts. Retrieving information about the works that appear in the catalogs (titles, procedures, materials and techniques), “Manual of Uses” proposes … Read more

Can you take care of this for me?

We usually remake our concept of what the past is, based on collective or individual ideas of what we remember or think we remember. We make new connections and interpretations, which change over time, of old events; and many times we use these fragments, these modified memories, as a way to justify our present. Borges … Read more

Touch I

“Those who think that all sensations reach us through sight and hearing have expressed surprise to see that I could notice, in that rural setting, any difference—except, perhaps, the absence of pavement—between walking on city streets and country roads. It is forgotten that it is my entire body that remains subject to the surrounding conditions. … Read more

Moon

“Beneath the blossoms with a pot of wine, No friends at hand, so I poured alone; I raised my cup to invite the moon, Turned to my shadow, and we became three. Now the moon had never learned about drinking, And my shadow had merely followed my form, But I quickly made friends with the … Read more

To earn a crooked sixpence you’ll walk many crooked miles

The project stems from the idea of combining several topics that interest me: walking and cycling routes, territory, trace, analog photography, and absurd measurements. At the beginning of 2024, I was traveling 3.6 km every day from my home to the Círculo de Bellas Artes in Madrid, where I was attending a Master’s program in … Read more

Odio la luz azul al oído

“The wounds of things are deciphered and then subjected to interpretation. Things are made to speak, often subjected to additional violence in the process. The field of forensic medicine can be understood as the torture of objects, from which we expect full disclosure—just as we do from human beings when they are interrogated. Frequently, things … Read more

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