In the pieces, the camera silently travels through different digital spaces that are presented as ruins. Empty spaces but with clear signs of having been inhabited, are corroded because of the glitches, the gaps in the 3D models, the black water that advances, as if covering everything.

The spectral spaces blur their limits, opening the way to memory and ghosts that seem to pass through the empty mesh of the models, and that reveal, behind them, the infinite and homogeneous space of the digital grid.